Submitted by katiekatie on 03/08/2009 03:40 PM Flag This Paper
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Elizabeth Shippen Green Elliott was born into a time period when women were not as significant as men were. Elizabeth Shippen Green was born in 1871 in Philadelphia, Pennsylvania. She grew up around art. Her father, Jasper Green, was and artist and he was an illustrator for children’s books. Jasper encouraged his daughter to follow his footsteps. At the age of 17, Elizabeth began submitting her work to local newspapers. The next year she attended the Pennsylvania Academy of Fine Arts. She did he assignments in her bedroom, also know as her temporary studio. She worked for Ladies’ Home Journal, in her early twenties, as a fashion illustrator. Elizabeth was also accepted into Howard Pyle’s first class in illustration at Drexel. Elizabeth and two other women she met in Howard Pyle’s class spent a lot of their lives together. The three women all began working together in one of the women’s studio. Green worked on a calendar and she also illustrated a book called The Book of the Child. As a couple years passed, Elizabeth had her work published in very well-known magazines, known as Post and St. Nicolas. The most honorable mention she had was when she was featured in The Studio about the Modern Pen Drawings European and American. The drawing was also in The Post. Later in her life, Elizabeth moved away from her friends and in with her new husband, Huger. Some of her works were “Old Country House (1902), The Book of the Child (1903), Castle Comedy (1904), A Very Small Person (1906), The Mansion (1911), The White People (1917)â€
Elizabeth Shippen Green Elliot had her own technique. The materials she used may not be unique, but she was a master using them. The way she worked was also unique. Elizabeth started her career with pen and ink and worked with it most of the time. She used watercolors and charcoal, as well. She took photographs as well and used them as inspiration. She specialized in children’s books. A lot of the pictures she drew were of people....